The Whole Shebang
Playwright Rich Orloff's charming, whimsical comedy about the creation of the universe delivers impish fun along with a provocative message. Excellent script is fleshed out beautifully by tender, light-hearted performances.
Playwright Rich Orloff’s charming, whimsical comedy about the creation of the universe delivers impish fun along with a provocative message. Excellent script is fleshed out beautifully by tender, light-hearted performances.
A very special student (Mark Linn-Baker) goes before a review board of the dean (Marian Seldes) and two senior professors (Jack Aranson and Stephen Pearlman) to defend his thesis project — the creation of the heavens and the Earth.
As the nervous student explains his project (completed in only seven days), he is pleased by the board’s praise for his creation of a self-sustaining, aesthetically pleasing ecosystem. One professor singles out fish and cows as particularly shining achievements.
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However, this project seems to have one tragic flaw: the design of human beings. To the learned board, the human race appears to be quarrelsome, egotistical and generally stupid.
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Desperate to defend homo sapiens, the student attempts to transport two average human beings to the hearing room. However, Harvey Doe (Martin Mull) and his wife Edna (Teri Garr) show up instead of their more distinguished in-laws, John and Mary.
Harvey is a laid-off factory worker and Edna is a directory assistance operator in Dayton, Ohio, where they have two undistinguished, socially maladjusted children.
As Harvey and Edna describe the litany of human complaints, from boring jobs, disaffected children and frustrating sex lives, the student’s hopes for a good grade disappear. In this university, God is clearly an underachiever.
Writer Orloff brings a witty and engaging innocence to this material, and creates a very amusing extended sketch.
Perfs are excellent, with Mull and Garr delightful as the bewildered couple, and Mark Linn-Baker as the nerdy deity in tweeds. Seldes, Aranson and Pearlman are quite good as the stern profs. Director Burt Brinckerhoff shows a steady directing hand in this successful, low-budget rendition of a stage play.
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